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The espionage thriller navigated a non-biopic consent issue and the 'Cancel Culture' critique of Yami Gautam to dominate the box office.
Aditya Dhar’s espionage thriller Dhurandhar hit theaters on Friday and is enjoying a thunderous run at the box office. However, the much-anticipated release of the film was mired by a string of controversies, propelling public scrutiny and a legal challenge. The most prominent issue arose when parents of the late Major Mohit Sharma objected to the film’s release, arguing that the lead character was based on their decorated son’s life and the film was made without their consent or consultation, and sought a court-order stay for a private screening before public release.
Ever since the trailer was released, numerous media reports and virtual discourse drew parallels between Ranveer Singh’s character, who, like Major Sharma, infiltrates a Pakistani terror nexus to extract intel and neutralize attacks on our home soil. According to media reports, the petition filed by Ashok Chakra awardee Major Mohit Sharma's family stated that several elements shown in the film’s promotional material “unmistakably mirror” Major Sharma's military career and emphasised that “a martyr is not a commercial commodity” and that his life cannot be recreated “for profit, without truth, dignity, or due permission.” The family also argued that the film's unauthorised portrayal infringes Major Sharma's posthumous personality rights and violated their right to privacy, dignity, and emotional well-being.
The dispute immediately led to director Aditya Dhar issuing a public clarification that the film was purely a work of fiction and not a biopic of the martyr. Later, the Central Board of Film Certification (CBFC), after re-examining the film, following the Delhi High Court’s directions, also concluded that Dhurandhar bears no direct or indirect resemblance to the martyr’s life, assigning it an adult certificate as a work of fiction.
Hi, sir - our film Dhurandhar is not based on the life of braveheart Major Mohit Sharma AC(P) SM.
— Aditya Dhar (@AdityaDharFilms) November 26, 2025
This is an official clarification.
I assure you, if we do make a biopic on Mohit sir in the future, we will do it with full consent and in complete consultation with the family,…
However, another controversy awaited Dhurandhar at the International Film Festival of India (IFFI) in Goa on November 28. During the event, Ranveer Singh attempted to mimic a key sequence from the Kannad film Kantara, specifically the portrayal of the Daiva, a revered deity in Tulu culture by actor and director Rishab Shetty. Social media users widely condemned his act as ‘disrespectful’ and ‘insensitive’ and the actor was particularly criticised for allegedly referring to the revered Chamundi Daiva as a ‘female ghost.’ The act sparked massive outrage on social media, with a section of users calling out to boycott the film to protest the actor's perceived disrespect.
What happens when we miss our research?
— Nilesh shukla (@Nilesh_isme) November 30, 2025
Ranveer Singh calls Devi as Ghost, sparks outrage#RanveerSingh#IFFIGoa#IFFI2025#kantarapic.twitter.com/V8SEFAJ4cA
Here's how social media users reacted to it:
to talk about Kantara, one needs proper mindset i.e., indian in nature. Not the flamboyant attitude shown by Ranveer, which is completely western style of showmanship. Unfortunately, the whole of bollywood is full of them🫤
— k v Prakash (@kvprakash2023) December 2, 2025
These kind of actors/people are disgrace to Indian culture. No respect for the actor, who was incredible in the movie, our culture, and the Devi. What Rishab delivered, no bollywood actor can deliver, not even in their dreams.#RanveerSingh#IFFIGoa#IFFI2025#kantara📷
— Sandeep Sharma (@theSandeepSh) December 2, 2025
Boycott upcoming Ranveer singh movie Dhurandhar. He just not make fun of Goddess and daivasa
— Ashish Raghu Kotian (@KotianRaghu) December 1, 2025
Ranveer Singh should watch Kantara not once, not twice, but till he learns pic.twitter.com/bg72kVgU1e
— Rupesh Choudhari (@Rupesh2202) December 3, 2025
Ranveer's reaction to the Kantara scene really felt unnecessary and disrespectful pic.twitter.com/yQeffCofZk
— Nandan (@nandan_333) November 29, 2025
Singh later issued an apology to address the controversy-
#RanveerSingh apologies on his Instagram story for enacting a scene from #Kantara infront of #RishabShetty#Dhurandharpic.twitter.com/KbJTBLJRCY
— REBEL SAAB⚡🔥⚔️ (@rebal_saab) December 2, 2025
But that wasn’t all! The eve of Dhurandhar’s release also witnessed some drama and negativity owing to last-minute cancellations of press shows citing a technical glitch. Reacting to this, actress and Aditya Dhar’s wife, Yami Gautam, took to social media and shared an elaborate note urging the film fraternity to end the culture of creating "hype" for a movie using paid campaigns. Stressing how Dhurandharis facing the ire of “cancel culture”, even before its release. The actress also spoke about the hard work her husband has put into making the film.
Calling out paid gimmicks, the actress said, "There is something I have been wanting to express for a really long time. I feel today is that day, and I must. This so-called trend of giving money in the guise of marketing a film to ensure good 'hype' for that film, or else 'they' will continuously write negative things (even before the film is released) until you pay 'them' money, feels like nothing but extortion."She continued, "Just because this arrangement is accessible to anyone-whether to 'hype' a film or spread negativity against another actor or a film-is a plague that will affect the future of our industry in a big way." The actress maintained that if some people think "it's a new trend, so let's do it," it is a big mistake and added that this practice will ultimately harm everyone. Furthermore, she wrote, "If the truth is exposed about a million things under the guise of who and what 'success' is over the past five years, unfortunately, it won't be a pretty picture for many." Gautam also praised the South Indian film industry, as they "stand united on all fronts," and urged directors, producers and actors of the industry to come together and discourage this harmful trend. She concluded by saying that the joy of filmmaking should not be diminished and that audiences should decide what they feel about the film after watching it.
There is something iv been wanting to express since really long, I feel today is that day & I must .
— Yami Gautam Dhar (@yamigautam) December 4, 2025
This so called trend of giving money, in the disguise of marketing a film, to ensure good ‘hype’ for a film is created or else ‘they’ will continuously write negative things…
A lot of social media users, including Hrithik Roshan, echoed the sentiment and expressed their concern about this dangerous trend.
More than anything , the golden thing that gets lost and leaves them and all of us impoverished is the journalists true voice , a chance for them to inform all the creative forces behind a movie what they felt , thought , what they applaud and criticise. Only true opinions have…
— Hrithik Roshan (@iHrithik) December 4, 2025
Yami, we are with you and the team. I am also with the honest man behind you, and this hard work. I support your effort.
— Gurinder Dhillon IPS (@gurinipspb) December 4, 2025
‘They’ are known to be paid reviewers, and it’s know to all their followers and around.
— Maj Manik M Jolly,SM (@Manik_M_Jolly) December 4, 2025
If their reviews impacted so much, they would have had the capability to turn every movie they review a hit.
That isn’t the case at all.
If the movie works, it’ll work on its own merit. .…
Yami ji, you’re right,this hype-driven promotion culture isn’t good for the industry. It puts pressure on films and distracts from real talent.
— Amit Kumar Sindhi (@AMIT_GUJJU) December 4, 2025
At the same time, the influencer-marketing system didn’t appear overnight. It was supported by many people in the industry over the…
Nevertheless, the pre-release turbulence and other intense discussions regarding the film in fact added to Dhurandhar’s visibility, creating a hype that contributed to public anticipation and its success at the box office. However, ​that doesn’t take away from the fact that it is also important to acknowledge and respect a martyr's family's ethical concerns, keeping in mind that they have every right to seek dignity, accuracy, and consent regarding the posthumous portrayal of their loved one, even if the project claims to be entirely fictional. And as far as the word regarding the film is considered, makers have the freedom to address real-life events and express their perspective, and the audience needs to consume it as a piece of craft while also engaging in a healthy discussion regarding the themes and narratives a film portrays or promotes instead of trolling people involved in making it or critics for giving their opinion on it.
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